Despite being set in the 70s, director Alan Ball's magical and personal film achieved all of its period reconstruction in-camera.
Our work was limited to TV screens, crew and rig removal, and subtle tweaks that helped bring the film closer to the director's vision.
Visual Effects: Outpost VFX
Visual effects supervisor: David Gidali
VFX and compositing: David Gidali, Tamir Wise
Additional VFX: Trace VFX